수제 강아지 간식

요청한 페르소나 사진이 영상 생성 호출에 실리지 않았습니다 — 에이전트가 인물 이미지를 새로 만들어 대신 넣었거나, 인물 참조 없이 보냈습니다.

STYLE:
Vertical 9:16, photoreal phone footage — handheld, natural micro-shake, spontaneous reframing, real skin and fabric weight. Available light only. No on-screen text, no graphics of any kind.

Pore-level skin realism — visible pores, fine vellus hair, natural asymmetry in the face and hands. Skin stays unsmoothed and unretouched; part of the face is allowed to fall into shadow.
Matte, non-reflective surfaces. Lived-in, worn materials with real wear on them. No plastic sheen, no digital gloss.
Hair keeps individual strands and stray flyaways rather than a moulded shape.
This is a real person filmed on a phone, not a rendered portrait.

REFERENCES:
@Image1 — the person: a Korean woman in her mid-20s, comfortable homewear, warm natural expression, gently watching/adoring her dog. 100% match.
@Image2 — the product: 둥근 모양의 갈색 구움 트릿, 갈색 크래프트 종이 포장(투명 창)에 담김, 자연스럽고 친환경적인 느낌. 100% match; every word, logo and label exactly as the reference.

Scope — @Image1 carries appearance AND performance: it is also how this person holds themselves. @Image2 carries appearance ONLY — no pose, no motion, no performance. @Image3 and beyond (further angles of the same product, or this person's face close-up) carry appearance only. No reference contributes a scene, a camera move or a spoken line, and where a reference and this prompt disagree about what happens, this prompt decides.

Real-world size — about 6 cm across and 2 cm thick per piece, packed in a kraft paper bag roughly 15 cm tall and 10 cm wide — the bag is about the length of an adult palm and a half, each treat sitting comfortably in the palm of a hand. It must never look larger than her forearm.

LOCATION:
a bright home kitchen with a tidy counter, simple dishes stacked nearby and daylight coming through a window above the sink.

FIRST FRAME:
0.0s — front-camera selfie framing, very close, the person already cradling the kraft paper bag against her palm, the clear window facing up, mid-reaction as if catching herself in the middle of a confession.

ACTION TIMING:
0–3s — Tight selfie framing, face very close to the lens, already mid-reaction, opening with a warning-toned confession that this is hard to stop.
3–6s — She uses the product right there on camera — holding the kraft bag steady in one hand and folding the top crease open with the other, the torn edge staying pinched between her fingers as she sets the bag down on the counter — and her eyebrows go up in surprise and satisfaction.
6–9s — Before she has even finished reacting, her hand goes back for more. her open hand lowers one round baked treat toward the dog's mouth at floor level, the dog's nose and mouth meeting the treat directly She laughs at herself for it.
9–12s — She holds the product up front-facing and brings it toward the lens until it fills the frame, turning it once so the front face reads. the dog's tail breaks into fast wagging and its front paws lift off the floor toward her hand within the same shot
12–15s — Back to a centred hero hold, product in one hand, her other hand still reaching for it. She lands a playful warning-toned closing line into the lens. If anything came off the product at any point — cap, lid, seal, film, wrap, zip pull, band — it is still resting exactly where it was set down, visible in this frame; if the product has no separable part, nothing is set down and nothing is expected here.

DIALOGUE:
0–3s — "어 이거 주니까 우리 개가 완전 미쳐버렸어요"
3–6s — "냄새 맡자마자 눈빛부터 달라지는 거 보이시죠"
6–9s — "와 진짜 꼬리가 안 멈춰요, 이거 봐요"
9–12s — "한입 먹고 더 달라고 이렇게 앞발을 드는데요"
12–15s — "이 정도로 좋아하는 간식은 진짜 처음이에요"

PERFORMANCE:
LINE_1 — 놀라움과 확신을 동시에 전달하려는 의도, 살짝 몸을 낮추고 개를 바라보며 숨을 짧게 들이쉰다
LINE_2 — 시청자에게 지금 벌어지는 변화를 짚어주려는 의도, 카메라 쪽이 아니라 개의 눈을 가리키듯 시선을 던진다
LINE_3 — 발견을 나눠주려는 의도, 가볍게 웃으며 개의 꼬리를 향해 손짓한다
LINE_4 — 다정하지만 못 참겠다는 톤, 눈이 커지며 작게 소리 내어 웃는다
LINE_5 — 담백한 마무리 확신, 목소리를 살짝 낮추고 고개를 끄덕인다
Gaze stays engaged and alive the whole way through, with a natural blink cadence and active forehead and brows. No frozen mask-face, no dead eyes, no held stare parked between lines. Micro-motion continues while the person is not speaking — breathing, a small shift of weight, a glance.

PHYSICS:
- 둥근 갈색 구움 트릿으로 표면이 살짝 거칠고 단단한 구움과자 질감
- 크래프트 종이 포장은 얇고 잘 접히며 투명 창 부분만 빛을 반사함
- 트릿을 씹을 때 바삭하고 마른 소리가 남
- NEVER: 트릿이 젖거나 흐물거리거나 액체처럼 늘어지지 않는다
- Scale is fixed: about 6 cm across and 2 cm thick per piece, packed in a kraft paper bag roughly 15 cm tall and 10 cm wide — the bag is about the length of an adult palm and a half, each treat sitting comfortably in the palm of a hand. It must never look larger than her forearm.. No framing, however close, ever makes it read bigger than that

AUDIO:
No music. Room tone of a quiet kitchen, the soft crinkle of the kraft paper bag opening, a light crunch as the dog bites into the treat, the dog's paws tapping the floor, and the woman's spoken lines carrying clearly over it.

LOCKS:
① Exactly one product: one unit only, present from the first frame. It is never handed over, unboxed, revealed or duplicated — anything the use moment produces came from it on camera.
② Product surface text lock: print, logo and label exactly as @Image2. Nothing is ever printed onto it.
③ Only the person, the product and what PROPS names are what the shot features; the location's own fixtures and furniture may be present but stay unbranded and out of focus. No other brand's product, packaging, logo or readable mark appears anywhere, and no second person enters.
④ Lens gaze: to-lens throughout; eyes drop to the product only during the use moment and the close-up read.
⑤ Continuity of parts and hands: **if** anything comes off the product — a cap, a lid, a film, a wrap, a zip pull, a band — it stays visible somewhere in frame for the rest of the clip and is never re-attached, re-sealed or allowed to vanish between shots. Many products have no separable part at all; for those this clause simply does not apply and nothing is expected to be set down. The hands obey the same continuity either way: a control that needs two hands is not performed while one hand is holding something else.

PROPS:
a few simple dishes stacked on the counter