천연 비누

요청한 페르소나 사진이 영상 생성 호출에 그대로 실렸습니다.

STYLE:
Vertical 9:16, photoreal phone footage — handheld or simple selfie-fixed framing, natural micro-shake, real skin and fabric weight. Available light only. No on-screen text, no graphics of any kind.

Pore-level skin realism — visible pores, fine vellus hair, natural asymmetry in the face and hands. Skin stays unsmoothed and unretouched; part of the face is allowed to fall into shadow.
Matte, non-reflective surfaces. Lived-in, worn materials with real wear on them. No plastic sheen, no digital gloss.
Hair keeps individual strands and stray flyaways rather than a moulded shape.
This is a real person filmed on a phone, not a rendered portrait.

REFERENCES:
@Image1 — the person: a Korean woman, short black hair, neat and natural look, calm and composed demeanor. 100% match.
@Image2 — the product: 베이지색 사각형 수제 비누, 꽃잎이 박혀 있음, 나무 비누받침대 위에 놓임, 그레이 배경. 100% match; every word, logo and label exactly as the reference.

Scope — @Image1 carries appearance AND performance: it is also how this person holds themselves. @Image2 carries appearance ONLY — no pose, no motion, no performance. @Image3 and beyond (further angles of the same product, or this person's face close-up) carry appearance only. No reference contributes a scene, a camera move or a spoken line, and where a reference and this prompt disagree about what happens, this prompt decides.

Real-world size — about 8 cm long, 5 cm wide and 2.5 cm thick, roughly the size of an adult palm at three-quarters scale — about two-thirds the length of an open hand. It must never look larger than her forearm.

LOCATION:
a home bathroom sink counter with a mirror, tile backsplash and a warm vanity light, the soap resting on its wooden soap dish beside the faucet.

FIRST FRAME:
0.0s — medium close-up selfie or fixed-phone framing, the person already cradling the beige soap bar gently between both palms above the running water, pointing to the spot she has just pointed to, looking into the lens mid-thought as if starting a message to a friend.

ACTION TIMING:
0–3s — Medium close-up framing. She faces the lens and points to the spot she has just pointed to, showing its before state plainly. No preamble, no greeting.
3–6s — She brings the product into frame, label toward the lens until it reads clearly, then performs its one control: no packaging or cap to remove — she lifts the soap bar off the wooden dish with one hand, the dish staying empty on the counter
6–8s — She sweeps a hand across the lens in one motion, a jump-cut or hand-clearing transition standing in for the passage of time.
8–12s — working the soap bar directly against her wet palms under the running faucet, the bar's flat surface rubbing into a spreading lather When the hand clears, the same spot looks different. She points to it again from the same angle, then turns her head slightly so it reads from the side too. the lather blooms thick and visibly soft between her fingers as she rinses her cheeks, leaving her skin smooth with no tight residue when she pats it dry on camera
12–15s — She ends holding the product up close beside the result, its control left as the action left it. She lands the closing line into the lens. If anything came off the product at any point — cap, lid, seal, film, wrap, zip pull, band — it is still resting exactly where it was set down, visible in this frame; if the product has no separable part, nothing is set down and nothing is expected here.

DIALOGUE:
0–3s — "이 비누 하나에 이만원이면 비싼 거 아니야?"
3–6s — "근데 거품 이거 봐, 진짜 부드럽게 퍼지네요"
8–12s — "세안하고 나서 당김이 하나도 없어요"
12–15s — "4개에 이만원인데, 이 정도면 남는 장사예요"

PERFORMANCE:
LINE_1 — 가격을 듣고 살짝 의심하는 태도, 눈썹을 올리며 비누를 들어 보임
LINE_2 — 거품을 보고 진심으로 놀라는 반응, 손바닥의 거품을 카메라 쪽으로 살짝 기울여 보여줌
LINE_3 — 세안 후 느낀 산뜻함을 담백하게 전달, 뺨을 가볍게 만지며 작은 미소
LINE_4 — 만족스러운 결론을 시청자에게 건네듯 말함, 고개를 살짝 끄덕이며 비누를 다시 내려놓음
Gaze stays engaged and alive the whole way through, with a natural blink cadence and active forehead and brows. No frozen mask-face, no dead eyes, no held stare parked between lines. Micro-motion continues while the person is not speaking — breathing, a small shift of weight, a glance.

PHYSICS:
- 베이지색 고형 비누로, 천연 유지 성분이 굳어진 무른 고체 질감이다
- 물에 닿으면 표면이 매끈하게 녹으며 미세한 거품이 뭉게뭉게 부풀어 오른다
- 안에 박힌 꽃잎은 비누가 녹아도 형태 그대로 남아 있다
- NEVER: 비누가 액체처럼 흘러내리거나 방울져 떨어지지 않는다
- Scale is fixed: about 8 cm long, 5 cm wide and 2.5 cm thick, roughly the size of an adult palm at three-quarters scale — about two-thirds the length of an open hand. It must never look larger than her forearm.. No framing, however close, ever makes it read bigger than that

AUDIO:
No music. Room tone of the bathroom, the faucet's water stream running and splashing into the basin, the soft wet friction of hands working the soap into lather, and the spoken lines sitting clearly on top.

LOCKS:
① Exactly one product: one unit only, present from its first appearance. It is never handed over, unboxed, revealed as a second unit or duplicated — the after result comes from this one unit's use on camera.
② Product surface text lock: print, logo and label exactly as @Image2. Nothing is ever printed onto it.
③ Only the person, the product and what PROPS names are what the shot features; the location's own fixtures and furniture may be present but stay unbranded and out of focus. No other brand's product, packaging, logo or readable mark appears anywhere, and no second person enters.
④ Lens gaze: to-lens throughout the before and after beats; eyes drop to the product only during the control and the use moment.
⑤ Continuity of parts and hands: **if** anything comes off the product — a cap, a lid, a film, a wrap, a zip pull, a band — it stays visible somewhere in frame for the rest of the clip and is never re-attached, re-sealed or allowed to vanish between shots. Many products have no separable part at all; for those this clause simply does not apply and nothing is expected to be set down. The hands obey the same continuity either way: a control that needs two hands is not performed while one hand is holding something else.

PROPS:
the wooden soap dish